Jeremy Wanless

Jeremy Wanless is celebrated for his own rugged and bluesy take on the traditional Blue Grass mandolin style created by Bill Monroe. As a teenager, Jeremy studied under internationally known mandolin masters Mike Compton and Skip Gorman. Jeremy worked for years on staff at the Augusta Heritage Center, American Mountain Theater, Gandy Dancer Theater, and Franks Family Music’s “Greatest Show On Rails” as well as numerous bluegrass ensembles over the years. A patient teacher with a refined musical manner, Jeremy teaches mandolin both privately and publicly and performs regularly with the “Phrawg Giggers” and “Franks Family Music.”

Jeff Burke

Jeff Burke is a professional musician and instructor who teaches bluegrass music and improvisation to individuals and groups. He plays Guitar, Mandolin and Banjo and has performed and recorded with a number of bands over his 23 year career. Jeff has worked both independently and in connection with the Wernick Method to bring group jamming classes to both Nashville, TN and Chicago, IL. He founded the popular bluegrass jamming class at the World famous Stayion Inn and works extensively with the Country Music Hall of Fame to provide hands on acoustic instrument and jamming workshops for their youth and family programs.

In 2020 Jeff Became the general Manager of The Station Inn in Nashville, handling day to day duties and booking the bands. In 2021 he left Station Inn to join the management and booking team at Dee’s Country Cocktail Lounge in Madison, TN where he is currently employed. He is also involved with Bluegrass Wednesdays at American Legion Post 82 in Nashville. Jeff also produces 2-3 day jam camps at festivals around the country and has been a faculty member at numerous music camps.

Mission Statement

Preserving and Promoting the Music and Cultural Heritage of Authentic First Generation Bluegrass

Committed to building community from around the world, as well as forging platforms and connections for the next generation of musicians, the MonManCamp presents programs that ensure the continuation of this truly original and powerful American art form called Bluegrass Music. At MMC, our missions are to:

  • Preserve the music created and recorded by Bill Monroe
  • Use the transformative power of music to foster relationships while building communities worldwide
  • Educate contemporary music enthusiasts about fundamental building blocks, stylistic elements, and techniques that are unique to this music
  • Present a curriculum that forwards an understanding of the players and culture that created Bluegrass music
  • Cultivating:
  1. Creativity through collaboration;
  2. Self-Compassion & Resilient Spirit:letting go of perfectionism and taking a journey based upon one note, one tune, or one song at a time;
  3. Brain Development via self-assessment, critical thinking skills, engagement of non-verbal brain activities for fine motor skills, mathematical reasoning (via chord progressions, rhythm, melodic intervals, etc.)
  4. Folklore or the traditional beliefs, customs, and stories of a community passed through the generations by word of mouth
  5. Connection:
    • via facilitating cross-generational gatherings and one generation passing it down to the next;
    • laughter and joy through music;
    • continuation and longevity of this music by growing the branches of future players and appreciators;
    • using the stories and roots of bluegrass music with all of its rich history, context, narratives of hardships, triumphs, and musical history to demonstrate our connectedness and similarities

Silas Powell

Apprentice Instructor:  16 year old Silas is a 5th generation picker from the small town of Salem, WV. He is quite talented on a variety of instruments, but the mandolin is his passion.  Silas has become well known for his unique style of Monroe Mandolin pickin’ but he can also play fiddle, guitar, and banjo!.

Silas first had the mandolin in his hands in his playpen, and his dad and Papaw knew then he was going to follow them in their music talents.  He first started truly playing the mandolin at 7, he was in the basement with his dad’s band at the time and just started chopping along, and needless to say his dad hasn’t picked up a mandolin since!

He is a 4 time Junior Champion of the State of Maryland, and at twelve years old he took 2nd place in the Maryland state adult division, plus a top 5 finish in the West Virginia State Championship adult division, at 10 years old Silas was awarded 4th place in the adult division of Monterey Virginia’s old time fiddlers convention. Showing some of his diversity on other instruments Silas was also awarded  2016 State of West Virginia Junior Flatpick Champion and 2nd place playing the fiddle at the Appalachian old time fiddlers championship held at the West Virginia University. He is a 2x scholarship recipient from Houstonfest in Galax, VA. Silas has performed at various festivals, which include Merlefest, Houstonfest, Remington Ryde, Bob Evan’s Festival and Baygrass in the Florida Keys. He has taken the stage with many top Bluegrass musicians, which include, Jesse McReynolds, David Grier, Doyle Lawson, Mike Compton,Joe Newberry, Blue Highway,  Missy Raines, Sierra Hall, Mandolin Orange, Emory Lester, Johnny Staats, Terry Baucom, Joe Mullins , The Grascals plus many more. He was recently featured on Woodsong’s Old Time Radio hour as a Woodsong’s Kid. Silas is also a member of Tomorrow’s Bluegrass Stars.  In 2017 and 2018 Silas was selected as 1 of 25 kids to participate at the IBMA’s Kids on Bluegrass.

You may see Silas at local street fairs, pickn’ on the sidewalks, he loves to share his music. He also plays monthly at the local nursing home, which earned him the Title of Youth Volunteer of the Year for the State of West Virginia two years in a Row!  Silas currently performs with his family band, Silas Powell and The Powell Family Band, where he plays with his dad-Josh Powell and Papa- Jeff Powell.

In 2019, Silas became the 1st Recipient of an Apprenticeship with MonManCamp.

Will Kimble

Kimble mandolins are custom made tools for acoustic musicians. Each mandolin is carefully crafted by hand based on input regarding tone, feeling, aesthetics. There are no standard models or trim levels. Excellent workmanship is key to great sounding mandolins.  Will started building mandolins in 2000.  Taught by his father, Fred Kimble, they still work side by side building instruments.