Jane Henderson

Jayne Henderson is a luthier based in Asheville, North Carolina, and one of the few women in the world who specializes in handcrafting custom ukuleles alongside guitars. A former aspiring brain surgeon turned environmental lawyer, Jayne’s journey into lutherie began as a practical solution to pay off student loans. She asked her father—legendary guitar maker Wayne Henderson—to build her a guitar she could sell. His response: “I’ll help you make one, but you have to do the work.”

She did. The guitar sold, the debt diminished, and a new passion was born.

Over the past decade, Jayne has built more than 150 instruments, earning a reputation for her extraordinary craftsmanship, environmentally conscious material choices, and soulful connection to each piece she creates. Her work has caught the attention of icons like Doc Watson and has been featured by NPR, Acoustic Guitar Magazine, and Blue Ridge PBS.

Jayne’s approach to building blends traditional Appalachian techniques learned from her father with modern sensibilities and sustainable practices. She often sources wood from her own backyard or rescues high-quality “scrap” pieces from other builders’ burn piles—transforming them into exceptional instruments with new life and purpose. From black walnut and North Carolina maple to salvaged koa and Kona coffee wood, Jayne believes each piece of wood has a story, a soul, and a song waiting to be heard.

Her ukuleles, which now account for about half of her output, are especially close to her heart—not only because she plays them herself, often with her young daughter Matilda, but also because they offer space for creative experimentation. From brass and copper inlays inspired by jewelry-making to delicate “tree of life” fingerboard designs, each instrument is deeply personal and artistically expressive.

Jayne builds exclusively to order, with a long list of clients who trust her to interpret their vision and translate it into wood, tone, and detail. “I meet a person, get a hint of their personality, and I see their instrument in my mind,” she says. “Everything I make has so much of me in it.”

She has created matching guitar-and-ukulele sets, instruments with kudzu vine inlays for goat farmers, and pieces that showcase the unique resonance of overlooked Appalachian hardwoods. Whether crafting a ukulele or a dreadnought, Jayne brings the same precision, passion, and playfulness to every step of the process.

Don MacRostie

Don MacRostieDon MacRostie, widely known for his Red Diamond mandolins,
has been building them for 50 years. For the past 20 years his focus
has been on making mandolins that incorporate the essence of the
Lloyd Loar signed mandolins of the early 1920’s.

For forty years Don was a major part of the Stewart-MacDonald
crew designing and producing parts, supplies and tools for the
lutherie community. In this capacity at StewMac, he had his hand
in the design and production of the instrument kits and plans,
resurrection the 3-ply maple banjo rim, and many of the lutherie
tools sold by StewMac today.

Over the years he has been an active member of the Guild of
American Luthiers and A.S.I.A. presenting at many symposiums,
and mentoring aspiring instrument builders. For sharing his
knowledge and for his artistic achievements, he was recognized in
2022 by the Ohio Arts Council with an Ohio Heritage Fellowship.

 

Tony Williamson

2018 North Carolina Heritage Award recipient Tony Williamson is a visionary musician, composer, musical instrument expert, teacher and mentor.  He has played stringed instruments, most famously mandolin, for six decades and has been receiving awards and honors for his music for nearly 50 of those years. Never content to rest on his laurels, today Tony continues to perform live and travel internationally and has recordings with fresh new concepts in progress.

Tony was born and raised in rural Piedmont North Carolina to a family of wood-workers and musicians.  His grandfather, Alfred, made his own musical instruments (at one time his banjo was on display the N.C. Museum of History) and inspired his grandchildren, who began playing music around 1957.  With Tony on mandolin and his brother Gary on banjo, they became child sensations and by 1969 had won first places in the coveted “World Championship” in Union Grove, North Carolina.  In 1968 the Williamson Brothers recorded “John Henry” for Follett Publishing Co. for an anthology called “Discovering Music Together”. Also included in this book and LP record album collection were contributions from “Blood Sweat & Tears” and the Boston Symphony.

After taking a degree with highest honors at the University of North Carolina in Chapel Hill in 1975, Tony answered the call to go on the road with a touring band, the Bluegrass Alliance, whose alumni include Vince Gill, Sam Bush and Tony Rice.  Afterwards, working in a succession of bands led him to the top of his field playing classical, jazz and folk music as well as bluegrass.  His credits include performances on stage and/or in the recording studio with Alison Krauss, Chris Thile, Earl Scruggs, Bill Monroe, Bobby Hicks, Tony Rice, Vassar Clements, David Grisman, Sam Bush, Mike Marshall, Ricky Skaggs, Jerry Douglas, Don Stiernberg, and Robin and Linda Williams of Prairie Home Companion fame.  In addition to the prestigious NC Heritage Award, his list of honors includes the IBMA recorded event of the year in 1994, many on-stage highlights such Mando-Mania at Merlefest and an unforgettable performance for Luciano Pavarotti!

Jeremy Wanless

Jeremy Wanless is celebrated for his own rugged and bluesy take on the traditional Blue Grass mandolin style created by Bill Monroe. As a teenager, Jeremy studied under internationally known mandolin masters Mike Compton and Skip Gorman. Jeremy worked for years on staff at the Augusta Heritage Center, American Mountain Theater, Gandy Dancer Theater, and Franks Family Music’s “Greatest Show On Rails” as well as numerous bluegrass ensembles over the years. A patient teacher with a refined musical manner, Jeremy teaches mandolin both privately and publicly and performs regularly with the “Phrawg Giggers” and “Franks Family Music.”

Jeff Burke

Jeff Burke is a professional musician and instructor who teaches bluegrass music and improvisation to individuals and groups. He plays Guitar, Mandolin and Banjo and has performed and recorded with a number of bands over his 23 year career. Jeff has worked both independently and in connection with the Wernick Method to bring group jamming classes to both Nashville, TN and Chicago, IL. He founded the popular bluegrass jamming class at the World famous Stayion Inn and works extensively with the Country Music Hall of Fame to provide hands on acoustic instrument and jamming workshops for their youth and family programs.

In 2020 Jeff Became the general Manager of The Station Inn in Nashville, handling day to day duties and booking the bands. In 2021 he left Station Inn to join the management and booking team at Dee’s Country Cocktail Lounge in Madison, TN where he is currently employed. He is also involved with Bluegrass Wednesdays at American Legion Post 82 in Nashville. Jeff also produces 2-3 day jam camps at festivals around the country and has been a faculty member at numerous music camps.

Mission Statement

Preserving and Promoting the Music and Cultural Heritage of Authentic First Generation Bluegrass

Committed to building community from around the world, as well as forging platforms and connections for the next generation of musicians, the MonManCamp presents programs that ensure the continuation of this truly original and powerful American art form called Bluegrass Music. At MMC, our missions are to:

  • Preserve the music created and recorded by Bill Monroe
  • Use the transformative power of music to foster relationships while building communities worldwide
  • Educate contemporary music enthusiasts about fundamental building blocks, stylistic elements, and techniques that are unique to this music
  • Present a curriculum that forwards an understanding of the players and culture that created Bluegrass music
  • Cultivating:
  1. Creativity through collaboration;
  2. Self-Compassion & Resilient Spirit:letting go of perfectionism and taking a journey based upon one note, one tune, or one song at a time;
  3. Brain Development via self-assessment, critical thinking skills, engagement of non-verbal brain activities for fine motor skills, mathematical reasoning (via chord progressions, rhythm, melodic intervals, etc.)
  4. Folklore or the traditional beliefs, customs, and stories of a community passed through the generations by word of mouth
  5. Connection:
    • via facilitating cross-generational gatherings and one generation passing it down to the next;
    • laughter and joy through music;
    • continuation and longevity of this music by growing the branches of future players and appreciators;
    • using the stories and roots of bluegrass music with all of its rich history, context, narratives of hardships, triumphs, and musical history to demonstrate our connectedness and similarities

Scholarships

  • MANDOLIN Video Competition: Video Submission between February 1-15. Winner announced February 28, 2020.
  • BANJO Video Competition: Video Submission between
    March 1 – March 15 Winner Announced April 1, 2020.
  • FIDDLE Video Competition: Video Submission between
    April 1- April 15. (New Dates): Winner announced April 30, 2020.
  • NEW for 2020! GUITAR Video Competition: Video Submission
    April 15 – April 30, 2020. Winner announced May 15, 2020.

COMPETITION RULES

  • Music submitted must be a Bill Monroe tune or instrumental.
  • Submissions open to candidates of any age.
  • Participants to write a 500 word essay on their musical pursuits, why they are interested in Monroe’s prolific music and their goals in attending this camp.
  • Video must remain under 4 minutes.
  • Announce your name and song title on the video. You may play solo or with accompaniment-just make sure video camera is pointing on person submitting video. Please make sure we can see both left and right hands!
  • A maximum of 25 submissions accepted (you will receive an email with confirmation if your video is accepted.)
  • Upload video to YouTube, and email the link to: monroemandolincamp@gmail.com . In subject line of email, please write “2020 (Insert Instrument ) MonManCamp Video Scholarship Competition.”
  • The winner of each Video Scholarship Competition to be awarded a full tuition scholarship including camp T-shirt.
  • Transportation, meals and lodging are separate and not included in the award, and the responsibility of the winner.
  • Winning video may be used in promotional materials.
  • Entries will be judged on 4 categories including: Authenticity, Execution, Difficulty, and Technique.
  • Previous Video Scholarship winners are not eligible for consecutive years on the same instrument.
  • Video Scholarship Winners are limited to instrument classes for whicht they won the scholarship.

Raynae Redman

My name is Raynae Redman and this is the second time I have attended Monroe Mandolin Camp.
In 2016, the camp was expanded to include banjo, and in 2017, a fiddle track was also added. Each year there’ll be another instrument track added until each of the 5 bluegrass instruments in Monroe’s band will be offered. It’s going to be exciting as each year the next instrument added will make it a full Monroe Bluegrass experience.

I was intrigued and stoked to attend because I wanted to take the banjo track. it was taught by the famous Alan O’Bryant of the Nashville Bluegrass Band fame-Very exciting. All techniques and songs taught were Monroe songs and styles even on the banjo, keeping with the theme of this being a Monroe camp.

A very nice spiral bound book was given to us with tabs and tips from each instructor for what they were teaching, and even though I took the banjo track, our book contained all the mandolin instructions and tabs too, which was a bonus. The book was nicely done and is about 3/4″ thick with a lot of useful information.

The camp is well run and a lot of fun to attend. They offer fun evening activities as an added interest to the camp too.

The food package offered was unbelievably good. i almost decided to not pay for the food package thinking I’d walk to eat elsewhere, but I decided to add it on to my camp tuition. i can tell you right now that that was a great decision! The food is so good and all you can eat; full meals that offer you anything you’d possibly want plus it’s very convenient and more fun eating right there with your fellow campers. I’m sure I gained ten pounds and it was definitely a good value.

My classes were fun and a challenge but I found that recording the lessons on my iPad was the greatest help of all, so if your considering attending, it’s very helpful to bring a recording device (after getting the ok from my instructor that recording was ok!) I was able to come home where I had plenty of time to decipher what was taught in the comfort of my home, and spend as much time as I needed to improve each tune. There were five tunes that were harder tunes that I never in my wildest dreams thought I’d be playing, and I’m proud to say I’ve learned several of them already! TIt was easy to match my videos to the tabs where I was having trouble, and then to figure the parts out.

If you’re interested in traditional bluegrass and in particular Monroe’s style which defined early bluegrass, I would highly recommend this camp.

You’ll make lifelong friends and be able to network with them afterwards for even more help. Everyone attending this camp shares our same passion and they’re just good ole bluegrass folks from around the world making it a really fun experience.

Evenings that I didn’t feel like jamming were spent at The Station Inn or other interesting Nashville sites.

I highly recommend this camp! —Raynae Redman, September 16, 2017