2015 was the first time that I had attended he camp since the move to Nashville. I’m glad that I made it. The teaching was over the top fantastic and the presentations were terrific, highlighted, for me by the Bluegrass Boys getting together to play and tell Monroe stories. A special thanks too, to the tireless efforts of Heidi for making sure of all or creature comforts and keeping things so well organized. I’m looking forward to renewing acquaintances this year. Onward to September! – Mike Bunting, March 3, 2016
Author: Heidi Herzog
John Boyd
Great expreience!! This will be my 3rd camp,as a beginner I felt welcomed and encouraged, Figured I’m learning what to learn, Getting to the roots of this music with guys who were taught and played with Bill, caint get any closer to the source theese days. Mike and Heidi work tirelessly to put this together for the love of this American art form. Incredible memories,This is on my calendar permanantly!!Yall come!! – John Boyd, August 18, 2016
Fay Kirkland
Monroe mandolin camp was a great learning experience! Best Teachers and Staff. Many new and old friends from all around the world. – Fay Kirkland, September 22, 2017
Jordan Riehm
Learned from the best and jammed with the best. Plus, the food was outfreakingstanding! —Jordan Riehm, September 24, 2017
John Keith
John Keith was born in Parkersburg, WV and raised just up and across the Ohio River in Newport, OH.
John began playing guitar when he was nine. One day he heard the Bill Monroe record Bluegrass Time, and decided he wanted, no, he needed a mandolin. That is when John began studying the music of Bill Monroe and other monroe-style players. In July, 1990, John was hired by Melvin Goins and toured for many years. During this time he met Mike Compton and became even more determined to play those old sounds of Monroe.
After the passing of Ray Goins, John took over the tenor vocals to harmonize with Melvin, recording three CDs and a live video. During these years, John had the opportunity to hang around with Mr. Monroe…and among his treasured possessions is a personal video of duets they sang together at Bean Blossom. Another precious memory happened at Long Hollow Jamboree, when Bill sang and insisted that John play the mandolin.
Poignantly, perhaps the last live music that Bill Monroe ever heard was the Goins Brothers Band playing his songs standing outside his window at the rehabilitation facility where he spent his last days, with John’s Monroe-style mandolin punctuating every line.
John tried to retire from music in 1998, but it wasn’t too long before he decided he couldn’t do without it. Now, he plays with The Open highway Bluegrass Band from Central Ohio. People know they can always count on hearing some ‘straight old Monroe-style’ mandolin playing from John.
Alan Bibey
Since first hitting the scene in the early 1980’s, Alan has made a name for himself as one of the most technically gifted mandolinist in bluegrass and acoustic music. He was an original member of such ground-breaking bands as The New Quicksilver, IIIrd Time Out, BlueRidge and, for the last 12 years, Alan Bibey & Grasstowne. He has been voted Mandolin Performer Of The Year five times, including 2018 and 2019 by the Society for the Preservation of Bluegrass Music of America (SPBGMA). Alan Most recently won 2019 IBMA Mandolin Player Of The Year as well as previously for Instrumental Album Of The Year, Album Of The Year and Recorded Event Of The Year, just to name a few. Alan Bibey & Grasstowne have had over ten #1 Bluegrass songs including four from their latest Bluegrass project, Grasstowne “4”. Their Bluegrass Gospel single “Gonna Rise & Shine” has been #1 twelve times and in the top ten for 34 weeks and their latest single “When Jesus Swings The Wrecking Ball” has been in the top ten for the last 40 weeks! Alan’s BlueRidge project “Side By Side”, for which Alan wrote the title track, was nominated for a Grammy. He was included in the Mel Bay book, “Greatest Mandolin Players Of The Twentieth Century”, and in 2004, the Gibson Company put into production the Alan Bibey Signature line of mandolins, reaffirming his status as one of the most influential mandolin players in Bluegrass and acoustic music history. Alan will be leading our “PLAY IT FORWARD” classes-using traditional bluegrass musical ideas to play contemporary sounds.
Mike Compton, Director
Befriended and mentored by Bill Monroe, the acknowledged Father of Bluegrass Music, Mike Compton is one of today’s foremost interpreters of Monroe’s genre-creating mandolin style. Compton’s mastery of mandolin is at once effortless and exceptional. A compelling entertainer either alone or with a group, his skills as a singer, arranger, instrumentalist, composer and accompanist also make him in-demand as a band member and ensemble player at festivals, clubs and concert halls, recording sessions, music workshops and as a private instructor.
Compton’s decades of touring and recording with musical luminaries ranging from rockstars Sting, Gregg Allman and Elvis Costello, to straight-fro-the-still acoustic legends like John Hartford, Doc Watson, Peter Rowan, Ralph Stanley and David Grisman, have established him as a true master of the modern American mandolin and a premier interpreter of roots and Americana musical styles. With over 140 CDS in his discography, Compton has helped keep mandolin a cool, relevant sound as the modern musical styles ebb and evolve to reach an every-broadening audience.
A native of Meridian, Mississippi, Compton picked up the mandolin in his teens and absorbed the area’s native blues, old-time country and bluegrass sounds. He soon gravitate to Nashville, where he helped found one of the 20th Century’s most admired and influential bluegrass groups, the iconic Nashville Bluegrass Band. He’s also been a part of the Hubert Davis Band, John Hartford Stringband, 1942, Compton & Newberry, and other seminal groups.
When A-list Americana producer T-Bone Burnett needed experts in authentic rural musical styles to anchor the landmark ‘O Brother, Where Art Thou?’ movie project and subsequent tour, he called upon Compton’s unique knowledge and signature mandolin style to authenticate the Soggy Bottom Boys’ rootsy sound. That Grammy Award Album of the Year-winning album went on to sell seven million copies and sparked a global revival in old-time and bluegrass musical styles.
Connoisseur of hand-painted vintage silk ties, popularizer of the denim overall urban fashion statement, lover of iconic men’s hats and curator of oddball official days (ask him about National Lost Sock Memorial Day or National root Canal Appreciation Day), Mike Compton thrives at the intersection of traditional funk and modern authenticity.
Equally skilled in bluegrass, old-time string band music, country blues, roots Americana styles, and much more, Compton soars beyond easy categorization as n acoustic mandolin player and singer. Gifted at tastefully incorporating rural, roots-based learn and rhythm mandolin styles into modern Americana music, Compton’s unique musical skill set allows him to entertain audiences ranging from racers and urban hipsters to die-hard country, folk and bluegrass fans.
A mandolin master able to channel the Monroe-style playing better than anyone, Compton is a preservationist who continues teaching the music that Bill Monroe innovated, and which set the standard for generations of bluegrass mandolin players to come. For more information about Mike, visit his website at mikecompton.net